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Licton Springs Review

Licton Springs Review

2018

  • Home
  • Literary Art
    • Poetry
      • Blackberries, Ocean
      • elegy
      • Haibun for a False Harvest Moon
      • I am Not Your Pawn
      • If We’re Lucky
      • Land of the Free for the Few
      • Meaning of the Universe
      • One Poem a Day
      • Pay Attention to Detail
      • Poetry Musings
      • President’s Day 2017
      • Spring
      • The Peacock
      • Wildlife off I-110
    • Fiction
      • A Child’s Cry
      • Debt to Society
      • Flopsy
      • Mollie Brantshoof
      • New Kid
      • Taking Flight
      • The Ants Go Marching
    • Non – Fiction
      • Baptism by Fire
      • Beyond Words
      • Change
      • Fake it ‘Til I Make it
      • H.O.P.E.
      • Invasion
      • What’s Left
  • Visual Art
    • A Hero for the City
    • Basement
    • Big Head
    • Bonsai
    • Corrosion
    • Critter
    • Deconstruction I and Deconstruction II
    • Disarming Glance
    • Doors
    • Elements of Darkness
    • Floating Leaves
    • Flowerhorn
    • Gentrification I
    • Giraffe
    • Her Incisive Eyes
    • Home
    • In the Time of Social Media
    • Kassi
    • Last Call at the ZigZag
    • Let’s Dance
    • Neither a Saint
    • Narcissism
    • Night
    • Night Wind Spirit
    • ö i Kanada
    • Octopus Mountain
    • On the Couch
    • On the Way to Hoh Rainforest
    • Palouse
    • Pineapple
    • Rainaways
    • Self – Portrait
    • She is Green
    • She Persists
    • Skeleton
    • Still Here, Still Queer
    • Still Life
    • Sulk
    • Sydney Opera House
    • They/Them
    • Tootsie
    • Uncharted
    • Untitled
    • Untitled II
    • Untitled III
    • Walking in Prayer
    • Walking in Shadows
    • Wisdom
  • Editors’ Notes
  • Contact

Non – Fiction

Baptism by Fire

Beyond Words

Change

Fake it ’til I Make it ***

H.O.P.E.

Invasion

What’s Left

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